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Narrator by Bragi Ólafsson

May 09, 2023

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Our Ancestors by Italo Calvino

The dog signifies nothing... Now is as good a time as any I suppose to admit that I regularly confuse Italo Calvino with Umberto Eco and when struggling for the name of one of them, invariably come up with the name of the other. What value does this add to a review of either’s work? None whatsoever. I just thought it would pay to be honest up front, so that if I start talking about semiotics, the discourse of literary criticism, or beards, then you’ll know my train of thoughts has switched tracks and is heading for a bridge under construction. Of course, reading the Wiki pages on the two of them (to make sure I was talking about the right fellow) I noticed with some dread that Our Ancestors is one of the best known works of the most translated contemporary Italian writer (at the time of his death) and here I am, trying to make sense of it in my own personal context. Well, I’m always going to be treading down some fool’s heels so why should I care if it’s actually most peopl...

Breakfast Of Champions by Kurt Vonnegut

To be the eyes and ears and conscience of the Creator of the Universe, you fool. In days gone by, when repeatedly pressed about what my favourite book might be, a banal question seeking an impossible and crude reductionist answer to which I was usually rude in response, I would offer Breakfast Of Champions as a pacifier. I first read it in University, and it has, to some degree, influenced how I think and feel about a lot of things. Strikingly, I've never wanted to re-read it. Perhaps I was afraid I'd find fault the second time around and wanted to uphold it as a paragon of meta-fiction. Perhaps, but then I'm a relentless consumer of fiction and was always on to the next consumable work, never having time or inclination to go back. So in the spirit of a more considered and thoughtful phase of my life I decided I wa nted to read something that once made me feel good. I'd clearly not remembered it very well. But before that, I'm amazed I've gone *mum...

The Heat's On by Chester Himes

It was laughter dripping wet with tears. Coloured people's laughter. It’s not something on which I’ve dwelled for any great length of time, conventionally or historically – although it is now creeping around the page edges of the fictionalised autobiography in the shop window of my thoughts thanks to books like Glyph by Percival Everett amongst others – but I am guilty of what Siang Lu calls , “ontological whiteness - where you default a character, if not otherwise specified, as white.” In all honesty, guilt probably isn’t the correct response as it would imply that there is a right and wrong way to imagine the characters in a novel, when matters of culture and nurture and considered, and assuming people are WASPs (like me) is devilment, although bias is perhaps an imbalance at best. I refer you to the chapter in Glyph where baby Ralph states for the first time to the reader that he isn’t white, despite what the reader might assume (leading in my case at least to a notably reverse...

Angel's Inferno by William Hjortsberg

You're going to burn for this, Angel... I'm a fan of William Hjortsberg , as you might be able to tell (and yes, I've come out of my self-imposed exile to bash this review out because I have no beer and someone else is on the Playstation. Of course I mean I am taking a well-earned break from my deep, inner work), and as such, I don't want to believe the shit-talking that's been going on around this novel, published some 40 years since his first to feature Harry Angel, the tough, ex-military private eye on a tragic trajectory with His Satanic Majesty. However, I've read it, and to their credit (and the book's detriment) for the most part the criticisms are valid, to wit: The plot is barmy - I won't be going into lengthy spoilers but rest assured if you want a spoiler you can find plenty of them over at BoardGameGeek . Caveat emptor. Harry Angel / Johnny Favorite undergoes an unintelligible schism in terms of personality, suddenly and without warning. Some...

And The Ass Saw the Angel by Nick Cave

Three crows circle overhead! Someone told me this novel, now nearly thirty years old (holy crap), Nick Cave's first and, possibly, his best, began life as a screenplay when he was still touring with The Birthday Present. That seems equally plausible and implausible. It is a wildly cinematic novel, narrated in flashback by the hermetic mute boy Euchrid Eucrow, who slithered into the world as one of a pair of damaged twins, the only one who survives the neglect of their first day on earth, and is vividly, viscerally visual. But it's also complicated, wildly imaginative, and at heart, finds a safer and more permanent berth in the gently revered world of literature than in the ever-changing and perfidious zeitgeist of cinema. The story goes that Euchrid, after throwing himself into a bog into which he slowly sinks as he narrates his tale (to whom? and how?), was born, mute and unloved, into a truly Southern Gothic existence, mother a moonshine drunk, father a mean, bitter a...

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Narrator by Bragi Ólafsson

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