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Only Forward by Michael Marshall Smith

Memory was coming to an end...
I'm not an effusive type. Not unless it comes to beer of course, but even then I'm not exactly the sort of chap to  rant ceaselessly on the subject. 

Wait a minute, I know you're thinking, if he's starting with a denial then he's leading up to some sort of artificial epiphanic moment where he realises he IS effusive about something! Am I right?


Back in the early Xennial period I read all of this guy's work, including his short double-header with Kim Newman (see the Amazon link below–for those interested in how stupid I've been in giving away most of my books a few years back, the paperback at time of writing is selling second hand for OVER £100...), including *shudder* his collection of short stories*. I even read his first couple of 'horror' novels, none of which later. They were sharp, they were slick, they were funny, and you felt they had a brain behind them. I haven't changed my mind. Re-reading them has been a pleasure, but more for the sake of nostalgia. 

Only Forward, winner of this award and that, is narrated by Stark, wise-cracker, information sifter, problem solver, a PI with a specialty in a particular kind of problem–no spoliers here, not today. He's honestly unreliable, but adaptable, friends with movers 'n' shakers and psychopaths, and has a talent no-one else has. He is a character with verisimillitude, and his thoughts on life and love and the meaning of it all are piquant and prickly. One suspects he is the man Smith would both love to and loathe to be mistaken for. 

In Stark's world, revealed later on in the novel to be the near future London (damn, sorry), a massive sprawling megalopolis, there are neighbourhoods where the quiet live, where the colour-appreciative live, where the crazy mad bastards live, and where all the cats live. As a device goes, it stretches incredulity to breaking: worth ignoring of course in the grand scheme but on second reading mostly irksome. Someone from Action neighbourhood goes missing (a real go-getter who Gets Things Done and thus is sorely missed) and everyone suspects kidnapping. Stark's 'friend' (not a spoiler technically as it only hints at their failed relationsh–damn, sorry) suggests him for the job, and off he jolly well trots to find our missing executive. Of course, there is more to this than meets the eye.

On the face of it, Only Forward is a warped but enjoyable gumshoe romp, following Marlowe-light Stark around the city–and other places–in pursuit of what is lost. While he goes, we get slowly drip-fed hints and intimations that there is much more going on. And then, of course, just like in Spares, and if memory serves, also One Of Us, there's a character who plops into the story and the reader is like, man, wtf?, like, really, who is this guy, for sure? only for the reader later in the book to go, like, damn! so that's why he's here, sonnufabeech. It's Chekov's gun of course, and if you're looking for it you'll spot it a mile off. Nicely, depsite the story taking a very major and unlikely detour into Jeamland (make of that what you will), the gun has already gone off, even before the story's begun. As twists go I like it very much.

So on reflection, it is a thoroughly enjoyable, if implausible, detective story, managing to break conventions on perception and memory, dreams, fantasy and reality, and still capable of some shockingly visceral violence and horror, right from the off. Give it a read, unless you already have, in which case go back and start again. Just don't make a fuss.

*Not *shudder* because they're his, but rather just because they're short stories. You have to be a FUCKING great short story to make me happy.


How's about that then?

Metaliterature - what meaning to have is this for meaning?

Not a review this time, more of a curiosity. It seems I'm receiving lots of hits from Russia (Здравствуйте России!) from people searching for the definition of "metaliterature". As such, it is something of a bespoke word, created to fit a need and probably not yet recognized outside literary theory / criticism circles (Merriam-Webster Online certainly don't like it). I was wondering what they typed in to end up here, so, for fun (it's not fun, sorry) I thought I'd bung it in Google Translate and see what came out. As it turns out, one needs a little hyphen for the rather ponderous machine to understand it, and even then only does half the job (meta seems to be meta in any language). 
Incidentally, below is, ironically, a Google Chrome Thesaurus definition* of "meta":

met·a Adjective/ˈmetə/
(of a creative work) Referring to itself or to the conventions of its genre; self-referentialInterestingly (not interesting, sorry) it says this for the full term, t…

Under The Dust by Jordi Coca

So, wheel of fortune, count to 29, pin the tail, freebies off of peeps on Twitter etc. etc. Whatever the methods sometimes employed to pick the next book in my intertextual experience, the one that brought me to Jordi Coca brought me to a whopping great slice of nostalgia. Before I'd even opened it, it brought to mind Richard Gwyn, himself a published poet, author, biographer, translator and course director of the MA Creative Writing course at Cardiff University, who I recall for some odd reason gently encouraging me to read this novel, and by whose own work I was quietly impressed at the time. He was also an advocate of Roberto Bolaño, another writer in whose work I can immerse myself but from which I emerge drained, as mentioned previously. Before that, though, there is this sticker on the front, declaring 'Signed by the Author at Waterstone's'. It is indeed signed by Jordi Coca, not adding any particular intrinsic value to the book, not for me anyway, but more impor…

Hereward: The Last Englishman by Peter Rex

By all accounts, Hereward was the guerrilla scourge of the invading Norman armies in eleventh century Cambridgeshire and Norfolk, famous for isolating and dismembering members of the Norman nobility who strayed too far from home, and also for trashing Peterborough and hiding on an island. Called variously (and often erroneously) The Wake, The Exile or The Outlaw, his infamy was such that families in search of noble English lineage have usurped his "heroism" for their own glory even until this very day. Rex delights in highlighting one author's particular folly, entitled Hereward, The Saxon Patriot, in which Lieutenant-General Harward attempts to run his antecedents right back to the loins of the eponymous gentleman-rogue. 

Having only read the introduction to Peter Rex's myth-busting (and often ill-edited) work, I was already struck by an initial thought which ran thus: if as Rex asserts Hereward was the son of Asketil Tokison, a descendant of a wealthy Danish family …

A Death In The Family: My Struggle Volume 1 by Karl Ove Knausgaard

I sit here, wearing my limited edition Knausgaard t-shirt, immensely grateful to the kind people at Vintage Books for their surprising gift of the first four novels (and aforementioned t-shirt) simply as a result of being able to post a comment on their YouTube Vlog. There may have been a hidden agenda, considering I'm a book blogger (What, interrobang, a book blogger, interrobang and so on...) but I prefer to believe they picked me at random. Because I'm ace. 
Nonetheless, I had no idea what to expect of these books. I did do a little reading, and found lots of very interesting articles about Karl Ove Knausgaard, including this entertaining one in the Wall Street Journal. But in all honesty, nothing prepared me for reading them, and I can see why they cause controversy and consternation wherever they are translated (which is pretty much everywhere).
First off, being intelligent and perspicacious readers as I trust you all to be, you will no doubt have spotted the whole Godwin&#…