|The stone that was split and put|
I'd always assumed Miéville was sci-fi. Or horror. Covers hinted at both, at neither, at something other, and measuring the bulk of Perdido in hours of my life spent I'd found other, shorter versions of temporary happiness in which to indulge. Then I bought The City... for a short road trip on the e-reading device, and was sold on his brand of New Weird. I quickly found it's not fantasy, or sci-fi, or horror, it's all of that and more, it's Carlton Mellick gore and H. P. Lovecraft odd and Philip Kerr noir. In Embassytown, Miéville adds Saussurean semiotics and mixes in all the political intrigue of a Roman senate meeting. It is glorious.