What is "Metaliterature"? It is literature about literature, in this case, views, reviews, and thoughts provoked by stuff I've read. I'm hoping this might be a chronicle of the brain of a life-long reader as guided by intertextual coincidence. If you like what you read, read what I like.
Currently domiciled in the liminal geographical space between Cardiff and RCT.
I just received this in the post from the lovely people at Brit-Books and am very pleased that I can now put it on the shelves and stare at it until finally motivated to read it by some quirk of cosmic coincidence.
Are they gone? Okay then, on with the story. I am very pleased to read things like this. Not that it's well written or a thrilling read; far from it. The authors are slightly lazy with their style, throwing out a reasonable-sounding punter / pundit myth which they then bust in a rather predictable fashion. It's all a bit, "You'd think this is self-evident, wouldn't you? But, AHHHHHHHHHHHhhhhhh! You're wrong." Yawn. To be fair to them, it's hard not to do just that with what is basically a myth-busting big-data-for-the-footballing-lay-person-type book. You set the reader up in his* comfortable assumption, plump up his cushions and get him a nice cup of tea, and then dash the cup to the floor, up-end the sofa and strip his clothes off as you push him out into the cold, hard light of statistical reality. It's how it's done. But it's still a bit repetitive over the course of X chapters, each de…
I wonder if my new-found bachelordom is the reason that I have seemingly embarked upon a morbid trend in my reading. I have long avoided reading this novel, billed as the sequel to Catch 22 and, from the publisher blurb on the back, dealing with the tying up of ends in the lives of the characters from the first novel as they move towards their own deaths - not an uplifting prospect, Heller's acute and acerbic wit notwithstanding. What did I read after this? Mother Night by Kurt Vonnegut. And next? Mendelssohn Is On The Roof by Jiří Weil. I suspect you'll see a trend. In my defence, I would posit that there is a deep, atavistic humour to be found in all three novels, something that everyone can access and recognise, the hangman's joke, the infantryman's bluster. That all three deal on one level or another with the atrocities of the second World War might raise a tired sigh from my estranged wife, who has long been disturbed by such trends in my literary taste (or lack, …
I have long been a quiet admirer of Barack Obama. Not just for the obvious race-guilt reasons, which creep into my thoughts on occasion, for no other reason that I'm white, of the lower middle class (or upper working class) and smugly safe behind my liberal WASP upbringing and need something to feel guilty about. Firstly for his role as a reluctant trail-blazer for African Americans; in a country where there are [fill in the number yourselves] million people of African descent, it's quite amazing that one of them hasn't been voted in as POTUS before now, so being the first is not only a great victory for equality, much like when Obama got his job at a law firm it is also a burning shame. For America. Me, I couldn't give a monkey's, race-guilt or no race-guilt. Secondly, he looks and acts like a man of class, in the non-pejorative sense, a man who would make a good friend, be noble and upright about the right things, and flexible about the others. Nothing in this au…
It’s not a coincidence that, during one of the lowest points
of my life of late, I reached out to Tom Waits, both for a soundtrack for my
misery and to read more about his life and music. Having discussed, agreed, and
facilitated a separation from my wife of six years, and in the middle of a temporary period of
not seeing my son due to the complications of the move, I had no access to diversions
other than my music and books – of course, who actually needs more than that?
No TV, no internet, no telephone, no money. Had I been out of a job too I could
have cracked open a bottle of white port and pretended I Henry Chinaski! Waits’
early beat-jazz style, his circus-freak albums, his junkyard phase; his
bawlers, brawlers and bastards* have been ever-present since I first started
working in a chain bookstore in 1997 and was introduced to Waits through the
oxide-fatigued cassettes on semi-permanent repeat in the stock rooms (along
with early Aphex Twin albums and, perhaps less excitingly, E…