What is "Metaliterature"? It is literature about literature, in this case, views, reviews, and thoughts provoked by stuff I've read. I'm hoping this might be a chronicle of the brain of a life-long reader as guided by intertextual coincidence. If you like what you read, read what I like.
Currently domiciled in the Vale of Glamorgan.
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Metaliterature welcomes guests from the US of A
Hey friendly American types! I don't know what it is but you guys seem to be hitting my webpage pretty chuffin' hard - one third more hits come from the USA than from the UK, and honestly, I can't count more than four Yankee Doodles as friends (two of them are from America's Hat so shouldn't count anyway). It may be because I am hard-wired into reading classic and not-so-classic American fiction that my reviews pop up on your search engines, and if that gets in the way of your browsing I can only apologize. However, if you like what you read, and want more, let me know. I'm keen to have a little feedback from anyone who may read regularly, or just pops by occasionally, or stumbled across this by accident. I don't care who you are, what you do, or why you're here, but I do want you to go away with a positive impression of the place, and will take steps to make it a bit more user friendly. Tweet or message me @TheMightyBuch or you can just post comments underneath. You're not getting my email address until I know you're not after me for something I reported about Jon Ronson's private view of his brother... Postscript - I'm not all that great with HTML, so if you have technical or design advice, make it simple! I pretend to know way more than I actually do.
I sit here, wearing my limited edition Knausgaard t-shirt, immensely grateful to the kind people at Vintage Books for their surprising gift of the first four novels (and aforementioned t-shirt) simply as a result of being able to post a comment on their YouTube Vlog. There may have been a hidden agenda, considering I'm a book blogger (What, interrobang, a book blogger, interrobang and so on...) but I prefer to believe they picked me at random. Because I'm ace. Nonetheless, I had no idea what to expect of these books. I did do a little reading, and found lots of very interesting articles about Karl Ove Knausgaard, including this entertaining one in the Wall Street Journal. But in all honesty, nothing prepared me for reading them, and I can see why they cause controversy and consternation wherever they are translated (which is pretty much everywhere). First off, being intelligent and perspicacious readers as I trust you all to be, you will no doubt have spotted the whole Godwin…
Ah, what would be a review penned by yours truly without some sort of grovelling apology at the outset? A better review no doubt, but that aside I can't help but continue the tiresome tradition with an apology. Sorry to my regular robotic readers (hi bots!) but I have been very neglectful of the blog of late, having been tied up with my pursuit of a broader spectrum of dilettantism; I've been taking part in a number of MOOCs offered by various HEIs on the FutureLearn platform. Worth checking out if you ask me.
(Subtle enough plug, you think?) Anyway, the break afforded by a foray into further education has proved something of a test for Jasper Gibson and his fiction. In truth, it took me a little while to remember what exactly the novel was about, who was in it, and how I felt about the whole thing. Instant alarm bells. Of course, having had a break, I'd had a good crack at filling my head with a whole bunch of other things worth remembering, so maybe it all just got squeeze…
*Shame Klaxon* I am ashamed to admit it but I know next to nothing about Borges. I know the names of his books. I know he crops up almost without fail when conversations include literature from South America. I know his words book-end so many novels that I have that habitual proving-my-bold-assertion-mind-blankness which means my brain knows it to be true and won't humour your scepticism with an example*. And I know it's likely the biggest single lacuna in my entire reading history**. So you may imagine my lack of surprise, on finishing this novel and reading the afterword by Oscar Guardiola-Rivera, lecturer at Birkbeck College, London, and author of works on the history and politics of Latin America, that Borges pops up, within three lines of text. Three lines! He wastes no time does Oscar. Of course, my shame bristled and I was ready to adopt the usual casual hostility to something of which I was ignorant. But straight away, I understood what he was saying. I have often consid…
I don't think I was asked to honour the old convention
that a freebie necessitates an honest if gently favourable review (at least I
can find no written proof). I will however, name-check the generous (and
possibly over-optimistic) @TheWorkshyFop,
editorial director of the independent British publisher, Dodo Ink, from whose proof boxes of new
November lead titles this one arrived. Thank you, sir! I recall James Miller, specifically Lost
Boys, from the dim and distant past. It may have been a commission for
Waterstones Books Quarterly, or perhaps I was doing a solid for the Little,
Brown sales rep. Regardless, I remember nothing about the book except being
underwhelmed. From reading old reviews, it seems it had the coat-tails of the
contemporaneous zeitgeist in its teeth, but one slightly savage Guardian
review* points out it was pretty badly done. This might explain why I
remember very little, perhaps proving Auden's assertion that, "some books are undeservedly